![]() Again, for me, it would be just more stuff to find room for at FOH. I tend to use the built in editor for "quick and dirty" type stuff and simply move into a full featured editor if I need to do more precise cuts/fades etcĪs for the hardware options, I dunno. Moving between them and Qcart is as simple as a four finger swipe one my trackpad, it's no big deal. I run QCart on my Macbook Air, which is entirely solid state and has 8Gb of RAM, so I've never once had any issues with speed/buffering/RAM usage etcĮditing - I already have a bunch of recording/editing apps for getting clips onto my machine. The rest, for me, has never been an issue. It's now an essential part of my audio toolbox)Īs for the rest of your list - the multiple outputs thing might be useful. (fwiw, my iPad is anything but a big phone. Harry, my google skills must be failing me then coz I can't find it, any more clues? There's a Figure53 iPad app for QLab though. What about having a slot or two for a 2.5" SATA III drive? If the media files were in a folder like iTunes and you could simply open the software and choose the file, then if you had a back up drive with the same files loaded, you could move to that easily in the event of a drive failure. What about having a built in plug and play sound card, or two with XLRs? What about having a built in USB 3.0 hub? Is there any interest in a hardware device complete with LCD backed real buttons about the size of a 13" MBP? While we are on that waveform editor, how about a sample by sample movement of the vertical edit line using a hot key and the left and right arrows? Not a jog wheel, but not bad. I have SSP working in WINE, but that doesn't allow for some of the nicer features like drag and drop. I talked to the guy that wrote SSP and he has no interest in MAC or adding the waveform editor and I have no interest in continuing to run my audio through windows OS. Sports sounds plays the file, rather than making the file part of the software. I can't load that into RAM or it will get flaky like iPhoto does. About 50GB of that is just what Sports Sounds currently plays (iTUnes plays the rest). What about keeping the media files sep from the playback software to keep RAM usage low? I have nearly 500GB of files. What about built in recording software for recording and editing your VOs? What about full screen waveform editor with vertical and horizontal expansion? Non-volotile edits on the original file or create a new file? What is your preference? I'd like to be able to assign the system to 1/2 (iTunes), and individual buttons to 3/4, 5/6, 7/8. What about choosing the soundcard output per button? I have an octa-capture. ![]() In addition to what you like about current offerings. If you could do it any way you want, how would you do it? There will be much disagreement and that's OK. People are so entrenched in how they work their minds are closed to new and better ways to work. One thing you run into when developing software is dogma. I appreciate the replies but you guys really aren't very demanding. I would personally prefer hardware buttons like the X Keys. I have a touch screen so I don't really care about the ipad thing.in fact I hate ipads. It's pretty easy to find with a google search. Richard, there is an iPad remote, it's just not made by Figure 53. It was very responsive when I played around with it at a product demo. Marantz has the DN-F400 with a controller that could work standalone. ![]() I also use Playback Pro+ a bunch and toyed around with InstaCue (both from DTVideo Labs) - they work well, too. iOS/Android integration/remote control? (sure, why not)įor computer-based stuff, I've been fairly happy with Figure53's QCart because it is straight-forward, and let's me trim clips more quickly because I can see the waveform. Rentable licensing options (daily, weekly, monthly, etc.) - Figure53 has this down pat, and it's great to be able to rent the varying levels of capability needed from show to show without having to fork out my own cash out front AND without having to charge the client a bundle to recoup the cost, rental or otherwise. Transferrable license (USB dongle a la ProTools, Registration Code a la Quicktime Pro, etc.)
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